Monthly Archives: August 2007

LATINOS AND PBS’ WAR SERIES

Rodolfo F. Acuña weighs in
on the PBS/Ken Burns Controversy

Dear Ms. Mazur:

Please forgive me if I sound a bit exasperated. It is my understanding that the controversy is about the Ken Burns’ documentary and its failure to integrate Mexican Americans and Latinos into the mainframe of the documentary. Mr. Burns has said in the past that he has a right to artistic freedom and has even claimed that he has a constitutional right to his opinion. I don’t disagree with him — and if this were a novel or a work of fiction that would be great. However, we are talking about a historical documentary.

In defense of your showing the Burns documentary, you have listed a half dozen projects that KCET will offer to California viewers, which is great — but it does not absolve the Ken Burns documentary nor the fact that you will be featuring it. That you are advertising it. That you are touting it as true story of World War II.

Just like the warden said in the film, “Cool Hand Luke,” what we have here is a failure to communicate. You would probably understand me better if you had ever been involved in civil rights. The present controversy is analogous to having the premier school in the school district segregated.

When incensed parents complain, you add a bungalow to the premier school and say, “well you have a bungalow.” When the parents further criticize the school, the response is well Mexicans have a half dozen other schools that are integrated, and we just painted them for you.

Frankly, I am too old to buy the cover up. The damage has been done and you are compounding it. Public television did not do anything after Burns arrogantly disregarded Latinos in his baseball and his jazz documentaries. We were promised that next time there would be more care given to accuracy.

Well, you messed up again.

It just shows a basic “I don’t give a shit attitude” on KCET’s part. What should have been done is to send the documentary back to the editing table and Mexican Americans and Latinos integrated into the storyline. It did not happen although in cases involving other groups you have done it. I applaud you for being sensitive to the Jewish, women and African American communities — but you know what — you disrespect Mexican and Latinos.

Cordially,

Rodolfo F. Acuña, PhD
Chicana/o Studies Department
California State University at Northridge
racuna@csun.edu

BOYCOTT KCET
BOYCOTT NPR

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Mare Mazur responds:

Dear Dr. Acuña:

I am very sorry you were insulted by the Ken Burns letter that ran in our September magazine. As the person responsible for the broadcast schedule and our production slate, including the magazine, I can say with certainty that offending our viewers was anything but my intention.

California Connected, which just received the Alfred I. duPonte-Columbia University Award for journalism, just concluded production on a special one-hour episode titled California at War. California at War premieres August 23rd, and will be repeated several times leading up to our broadcast of The War. This program looks at the impact World War II had on California, and more importantly, the impact California had on winning the war. To that end, it includes the history of contribution from the Hispanic community who struggled with racism on the home front while being the most decorated group of the war.

In addition to airing California at War, we renewed the rights to Valor a 30-minute documentary on Latino stories of heroism during World War II, which KCET produced as part of the LA Stories project in 1989. We have also acquired a film by Mario Barrera, Professor Emeritus, Chicano Studies, University of California, Berkeley. Dr. Maggie Rivas-Rodriguez served as the academic advisor on both of those projects.

We are also running Valentina: Mexican-Americans in World War II from our sister station in New Mexico. All of these programs will be heavily promoted in and around The War. It is our expectation that this will give us the opportunity to introduce a wide audience to the history of contribution from the Latino community.

KCET has a long record of representing the Hispanic community in our productions and programming. In 1996 my colleague Joyce Campbell was the Co-executive producer of Chicano! The History of the Mexican American Civil Rights Movement which won the Nosotros Golden Eagle Award for Outstanding Documentary. She was also the executive in charge of American Family, the first Latino family drama to air on broadcast television, which KCET co-produced with Greg Nava.

In 2006 KCET was recognized by the National Hispanic Media Coalition for Excellence in Television Programming.

Ms. Campbell now serves as our Vice President of Education and Children’s Programming. In that capacity she oversees programming designed to reach the diverse audience represented in the eleven counties we serve.

This department is also responsible for the two shows that give me the greatest satisfaction: A Place of Our Own and Los Niños en Su Casa.

These are companion programs produced in both English and Spanish designed to help caregivers of pre-school aged children better prepare the children in their care for early learning.

These two series were originally developed for California distribution. While running regionally they were recognized with a George Foster Peabody Award for excellence in media, and a local Emmy. The website, which is completely bi-lingual, received the Japan Prize, an international commendation for best website. Based on our success in California, we are
able to make the programs available nationally, and are now being carried in nearly 70% of the country.

As a native Angeleno I have made the commitment that our programming, local and national, reflect the unique and diverse voices of Southern California. Again, I regret that Ken’s letter offended you. My colleagues and I work very hard to create a spirit of inclusion in all that we do, and as I began, I’m sorry that you did not find that spirit adequately communicated.

I do hope you choose to watch California at War and our other programs; we are all proud of the work and hope they resonate with our viewers. I would greatly appreciate your feedback and welcome your call should you have the
time.

El Cantante

Everyone has an opinion, I would like to share mine about the movie “El Cantante”. First of all I would like to thank Marc and Jennifer for making such a movie possible. It is easy to sit back and criticize. Making a documentary and being truthful takes much work and effort. Marc and Jennifer are true artist as they captured the essence of who is Hector Lavoe and his legacy. How Hector is a major influence in Latin music and his survival during an error that was not easiest for Latinos. Go see the movie, it’s worth it and make your own opinion. Much congrats to Marc and Jennifer – excellent work, look forward in seeing much continued success.

Puerto Rican Blogger About Puerto Rico’s next think tank

 

If we Puerto Ricans think so much, its about time that we start thinking about another think tank! Besides thinking is so bad that it feels good and its so good that it feels bad.

Anyways, I started a blog. You can think of it as an online discussion of Puerto Rico’s next ideal think tank. Maybe I started this blog to inspire, incite, maybe even dare people to think about anther think tank for Puerto Rico by Puerto Ricans and from a little bit of help from my friends…

My hope is that you inspire me by providing thoughtful ideas, criticism, suggestions, whatever you think that may bless this blog to think some more for Thinking Ricans.

http://thinkagainpr.blogspot.com/

 

PRdream mourns the passing of Andrés Marrero

A pioneer in the art world, he sought to establish an international platform for Puerto Rican artists. Early on, Marrero saw the role the web might play and collaborated with PRdream, most recently in a “Conversatorio on trends in Puerto Rican Art” during CIRCA 2007 that involved Galerias Prinardi in San Juan and West Palm Beach, and MediaNoche in New York City. We extend our deepest condolences to the Marrero Family. Please read below.

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“El arte fue su vida”, dijo enfática la curadora Judith Nieves sobre su esposo Andrés Marrero, galerista que falleció el pasado martes en la noche y cuyo cuerpo será cremado mañana luego de una ceremonia de despedida que tendrá lugar a las 5:00 de la tarde en la Funeraria Amador, situada en el Sector Molinari, en Hatillo.

Complicaciones derivadas a su padecimiento de leucemia causaron su muerte el martes a las 10:45 de la noche mientras estaba recluido en la Unidad de Cuidado Intensivo del Hospital Universitario.

A Marrero, de 59 años, le sobreviven su esposa Judith y sus hijos Carlos Andrés y Benjamín.

Hoy iniciará su velatorio en Hatillo con un servicio religioso a las ocho de la noche. La familia respetará los deseos del galerista y esparcirá sus cenizas en el Río Jayuya.

Integrantes del mundo de la plástica en el País coinciden en que los esfuerzos de Marrero -desde que comenzó a laborar con el arte puertorriqueño como marchante en la década del 70- siempre estuvieron dirigidos a darle altura al mismo y a establecer el valor del entonces incipiente mercado.

Abogado y propietario de Galerías Prinardi desde 1992, su relación con el arte evolucionó gracias a Taller Andrés, espacio que abrió en el 1980 en la Avenida Muñoz Rivera. Desde esa época impulsó el arte boricua en esferas locales e internacionales y se mantuvo en el difícil escenario plástico de modo consistente.

Desde su espacio impulsó la carrera de artistas consagrados, como por ejemplo la del Maestro Rafael Tufiño, al tiempo que brindó foro a manifestaciones callejeras como el grafitti. Hace poco, apoyó el nacimiento de la primera feria de arte en la Isla, Circa Puerto Rico.

Sylvia Villafañe, presidenta de la Asociación de Galerías de Puerto Rico, describió a Marrero como “un pilar en el mercado del arte”.

“Su solidez se basó en mantener un espacio adecuado de galería de arte para la venta de obras y el desarrollo de los artistas plásticos puertorriqueños. Fue un pionero de los años 70 cuando el proyecto de las galerías de arte era bien poco conocido y aceptado en Puerto Rico. Ocupará un lugar prominente en la historia del arte de la Isla”, agregó Villafañe.

Oriundo de Jayuya, Marrero colaboró de modo directo con el nacimiento y el desarrollo de la valiosa colección de arte puertorriqueño de la Cooperativa de Seguros Múltiples.

“Andrés fue como un maestro para nosotros” dijo Juan Lugo, curador de la Colección de la Cooperativa, “nos brindó todo su apoyo, nos ayudó a definir el marco conceptual de la colección, a desarrollarla y siempre iba más allá, independientemente de si uno le compraba la pieza a él o a otra persona. Fue una persona puntal en la misión de darle jerarquía y valor al arte puertorriqueño”.

A inicios de este año, Marrero anunció a los medios el establecimiento de Galerías Prinardi USA en West Palm Beach, Florida desde donde buscaba fortalecer el posicionamiento internacional de la plástica puertorriqueña.

EL CANTANTE – the movie

Don’t waste your money! Don’t waste your time! This movie was no movie at all. I felt assaulted and disrespected.

Let me tell you what it was. It was one dragged out drug-ologue. Every other scene was about him doing drugs. EVERY other scene! There was no storyline whatsoever.

“I love you Pucchi” “I love you Hector” Why? Was there one scene that showed “love” or why they loved each other? No.

Why was he famous? I don’t know. I know my Mom used to play his music. That’s all I know.  That he filled up Madison Square Garden. Oh I think I saw that in a quick clip in the movie between him snorting and him shooting up.

That him and Willie Colon were friends? I guess.  All the movie showed was Willie Colon in the background in almost every scene. Why were they friends? How did they meet?

How did Hecor LaVoe become famous anyway?  Wouldn’t know from watching the movie. His first hit? Don’t know. It wasn’t in the movie. It was more important to show 3 scenes of him in the bathroom half comatose.

What was his contribution to Salsa? My Mom says he was one of the pioneers of Salsa. Really? No mention of that in the movie AT ALL.

For those that say, “But that was his life… if that’s what he was, then…” Please! He was so much more than drugs. When people packed Madison Square Garden, did they go to see him get high or did they go for his music?

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Where was the music in the movie? A few clips here and there. Him rushing on the stage – stoned and belting it out. That’s it. Tu Amor es un Peridico de Ayer Never played that song. How is that possible?

The song Yo Soy El Cantante That song should have been the triumphant culmination of the movie. Instead you feel like noooooooo. You’re just depressed by the time they get around to that song. Ruben Blades wrote the song for Hector LaVoe and in the movie he dedicates the song to “his friend” LaVoe who of course is by the bar. As Ruben Blades starts singing it, LaVoe, turns around and looks toward the stage like – Wow! What a great song! Should I take that to mean that he had a moment of soberness.

Latinos have enough drug addicts on mainstream media. We don’t need to portray ourselves in such denegration. You don’t see red-blooded Americans saying “Elvis Presley – the King – the drug addict. Wasn’t he the biggest druggie? No. We just hear about his rock and roll music, how he changed music forever, and that’s what made him KING. Not the drugs, not that he died on the freakin’ toilet bowl. (Read the bios of both LaVoe and Presley on wikipedia and see what I’m talking about.  Elvis was the KING. La Voe was strung out.)

Meanwhile, Jennifer Lopez with her fame and fortune could have done right by her people and given us someone to look up to. Now every time we hear, LaVoe’s version of the Puerto Rican “anthem”, Que Cante Mi Gente ” or Yo Naci en Puerto Rico all we can do is cringe.

Thanks Señora Lopez. Thanks a lot.  You also did a disgrace to your husband who is I dare say: the “Hector Lavoe” of our time. But now how can I compare if all Lavoe was an addict? But anyway, Marc Anthony has been struggling to act now for years. First he is type cast as a s p i c, gangster, drug dealer, and now you just officially graduated him to play the role of a junkie.

For those that say, “Hey she’s just trying to make money and that’s the bottom line.” If she wanted to make a quick buck you either cater to mainstream white America, or you give us a movie to be proud of. After all, WHO went to see that movie anyway? There was a line all the way around the Whitestone Multiplex in the Bronx. Was there a line at the Beverly Hills Multiplex? I didn’t think so. It was hard enough getting my Dominican friends to go. There’s no way a white person is going to say, “Let me see L Con-Ton-Tay. Not going to happen.

The movie starts off with “Nuyorican Productions”. Here I am feeling proud! Damn it! Don’t be putting my race all up on the face of Drugland.

J-Lo, ¡no sea tan tonta! It’s like someone making a movie about you 20 years from now and only talk about your mistakes. Never mentioning that you were the highest paid Latina in Hollywood. Never saying that you had a top selling movie and top-selling CD at the same time. Never saying anything except about all your failed relationships. How would you like that?!

Jenny, M’hija, ¡¿qué hicistes?

Fourth Annual Arts Festival, Saturday, August 18th

Join the Cultural Affairs Committee of Community Board 11 and the Office of NYS Senator José M. Serrano in “Celebrating East Harlem’s Culture and Legacy,” during the Fourth Annual Arts Festival. The event will be held on Saturday, August 18th along Julia de Burgos Boulevard/East 106th Street, and is free and open to the general public. Call (212) 831-8929 for details.