Category Archives: Corrientes

Announcements of current events.

PRdream mourns the passing of José “Chegui” Torres, 1936 – 2009

Boxing’s renaissance man Jose Torres commanded ring & respect
by Mike Lupica

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For the old-timers, the ones who come out of fight nights at the old Garden and out of a much older New York, it will always be 1965 for Jose Torres, when he was young. It will be the night at the old Garden when he beat Willie Pastrano, dancing and jabbing and finally body-punching his way to a TKO. He became the light-heavyweight champion of the world that night and seemed to have won the championship of the city as well. Jose Torres came from Puerto Rico, but by then he was more here than there.

The next day he made his first stop as champ at 110th and Lexington Ave., climbed up on a fire escape and addressed a crowd of thousands.

“This is for everybody,” he said, and told the crowd that if he could do something like this in the city of New York, anything was possible.

But he was so much more than just a prizefighter, even if that is how the world first knew him. He became the first Latino columnist in town, at least in an English-language paper, when my old boss, the great Paul Sann, put him to work at the old New York Post. He would later become a commentator on television, and radio host, and in the 1980s even became the New York State Athletic Commissioner.

He was a friend to Norman Mailer, who was once brave enough to get into the ring with him, and Pete Hamill. He once said that Pete had given him his first book and how he now owned more than 800 of them, and was confident that “Pete’s responsible for six or seven hundred.” He had a good enough voice to sing a ballad one time on the Ed Sullivan Show.

“I keep telling you,” he used to say to me, “I am more a lover than a fighter.”

Jose Torres wrote books about Muhammad Ali and Mike Tyson, and spent so much time trying to save Tyson from himself and what he called the “parasites” around him. And became a friend to Robert F. Kennedy when Kennedy became the U.S. senator from New York.

Kennedy wanted to learn about the city, to know the city, and not just the avenues of power in Manhattan. So Hamill and the late Jack Newfield became guides for him in those years. So did Jose Torres. They would get in the car at night and drive the neighborhoods of Brooklyn, get out and talk to the people who lived in them. A Kennedy doing this, and the kid from Puerto Rico who had won a silver medal in the ’56 Summer Olympics, won the 160-pound division of the ’58 Golden Gloves, would later end up in the International Boxing Hall of Fame in Canastota, N.Y.

And Kennedy and Jose Torres would talk through the night. One of the things they talked about was what Robert Kennedy talked about in speeches in those days, about how within 40 years a man of color would be President. It was why Torres thrilled so much to the run Barack Obama made to the nomination and finally to today, even though he was back in Puerto Rico by last year, there to write and grow old as gracefully as he had fought once.

Pete Hamill said Monday that the last time he talked to Torres, his dear friend of half a century, was 10 days ago.

“It’s amazing, Pete, this country – what a place. What an amazing place,” Torres said to Hamill on the phone that day. He was talking, of course, about Obama.

Jose Torres did not make it to Obama’s inauguration. Did not make it to today. Did not live long enough to hear Obama, whom he believed was the heir to Kennedy’s ideals and compassion and spirit, give his speech today.

Jose Torres died in his sleep early Monday, at the age of 72. He suffered from diabetes and his friends believe that his body was never right after the pounding he took from Tom McNeely, a heavyweight, in Puerto Rico in 1965. It was a non-title fight and Jose ended up winning it, but McNeely brutally worked Jose’s body that night.

Jose finally lost his title to Dick Tiger, a future Hall of Famer the same as Willie Pastrano, the same as Jose. It was some amazing time in their division. Then Tiger beat him a second fight at the Garden, even though that one nearly caused a riot when it was announced that the decision had gone against Jose. He fought twice more after that and then retired.

And this wasn’t the beginning of some slow, sad ending for a retired boxer who had taken too many shots to the head. This was the beginning of a joyful, amazing life, one so well-lived and so well-enjoyed, in the city of New York.

For the next four decades he lectured and wrote his books and became Commissioner Torres finally. His last columns were for El Diario. At the boxing Hall of Fame, he is described this way: “Boxing’s renaissance man.” He was all that, a splendid ambassador for the island of his birth and the city he adopted and of his sport.

He was a lover: of his boxing career, of being a champion, of being a writer, of knowing that books he wrote, in his second language, would be on library shelves forever. More than anything he would have loved Barack Obama’s speech today, about the world Jose Torres imagined once from a fire escape on 110th Street, one where anything really is possible.

Holiday Celebration

La Casa de la Herencia Cultural Puertorriqueña cordially invites you

Saturday, December 20 at 2:00 P.M.

1230 Fifth Avenue, Suite 458, New York, NY 10029
(104th Street Entrance/between Fifth and Madison Avenue)

Join our Board Members, Staff, Elected Officials, Community Organizations and Members for a festive afternoon.

Enjoy the music of Grupo Coco Rico, La Casa’s Cuatro Rondalla and the flavors of our traditional food, as we honor our funders, contributing members and friends of La Casa, during this year’s Holiday Season. We hope you honor us with your presence.

We wish you a Healthy and Prosperous New Year!

Patricia Villalobos Echeverria’s AGUASMALAS (BLACKWATERS) at MediaNoche

November 22 – December 14, 2008

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Multichannel video projections onto parasitic, bomb-like sculptures activate MediaNoche’s architecture. Images of mass rallies and marching soldiers are juxtaposed to a man’s body, floating in dark, indeterminate waters. The sculptures act as bodies themselves, simultaneously inhabiting the physical space of the gallery and the projections of the sea, a dark field of liquid that alludes to contamination or oil. It should be noted that the English translation of Aguasmalas also references the private military company Blackwater, contracted by the US government to provide security services in Iraq.

MediaNoche Gallery
1355 Park Avenue, Corner Store at 102nd Street
New York City
212.828.0401
www.medianoche.us
infoATmedianoche.us

Gallery hours: Thurs – Sat, 3PM – 7PM

LOS NUTCRACKERS: A CHRISTMAS CARAJO

December 5, 6, 11, 12, and 13 at 8pm
and December 7 at 3pm

Tickets: $15 with advance reservations and $20 at the door

Share the Love and Laughter!

“HO! HO! HO!” becomes “HA! HA! HA!” this holiday season with LOS NUTCRACKERS: A CHRISTMAS CARAJO. This queer, Latino, holiday play returns for the 5th triumphant year to celebrate the holidays in a whole new way. Written by BAAD!’s own Charles Rice-González and directed by the award-winning Jorge Merced.

This play centers around a couple, Carlos and Gabriel, who have been together for almost 15 years. Their arguing and fighting has reached the queer heavens from which comes a ghetto thug/diva spirit who guides them on a trip through their lives. They travel to the first time they met back in 1986 at a white party at the Palladium dancing to Lisa Lisa and Cult Jam to a catastrophic trip to City Center to see The Nutcracker, to a dinner party with Martha Stewart fanatics, and more.

Show times are:

* Friday, December 5 at 8pm
* Satuday, December 6 at 8pm
* Sunday, December 7 at 3pm
* Thursday, December 11 at 8pm
* Friday, December 12 at 8pm
* Saturday, December 13 at 8pm

Reserve tickets today! Call 718-842-5223

The talented and sexy cast from 2007 returns with Johnathan Cedano, Gabriel Morales, Cisco Perez, Orlando Rios and Carlos Valencia.

“ART FOR BUSINESS”

TAINA’S TOUCH ARTS ENTERPRIZE. INC.
HOLISTIC CULTURAL CENTER
121 E. 106TH ST.
1-646-506-5606 / 1-212-427-3810

INVITES YOU TO

GIOVANNA’S RESTAURANT
1567 LEXINGTON AVE.
(BET. 100 – 101 ST. # 6 TRAIN TO 96TH OR 103RD ST.)

FEB. 28′ 09 (SAT.) 3 – 9PM

TO CELEBRATE

“ART FOR BUSINESS”
COME OUT TO MEET GREAT PEOPLE, NETWORK, BUY GREAT WINE/BEER…AND SOMETHING TO SNACK ON WHILE ENJOYING:

EXHIBITING ARTISTS: TONYA TORRES, MARISE EDUARD,
SHAWNA MILLS, ELLA VERES, FERNANDO SALICRUP, LAWRENCE JOYNER, APRIL PABON, ELENA “MAMARACCI” MARRERO, SONIA RODRIGUEZ AND PETER M. BULOW

SPEAKERS: JIMMY DELGADO, BAND LEADER; GINA RUSCH, UNION SETTLEMENT CREDIT UNION CHAIR; KING DOWNING, ENTERTAINMENT LAWYER; ALYSSA MONTOYA, WOMEN IN NEED’S EVENT COORDINATOR

ENTERTAINERS: GRUPO COCO RICO, EVA AND NEGRO, PROFESSIONAL SALSEROS, CLIFF HOGAN, BROWNSVILLE POET; D’VILLE, R & B SINGER. & OPEN MIC.

NOTE: THIS IS OPEN TO THE PUBLIC. PLEASE BRING CAN OR BAG GOODS TO BE DONATED TO JENNIE A. CLARKE RESIDENCE’S HOMELESS FAMILIES.

FOUNDER / EVENT ORGANIZER
TAINA TRAVERSO,
TAINA’S TOUCH ARTS ENTERPRIZE, INC.

PRdream mourns the passing of Joe Cuba, 1931 – 2009

Viewing on Wednesday & Thursday, February 18 & 19, 2PM – 10PM

R&G Ortiz Funeral Home
204 E. 116th Street, between 3rd & 2nd Avenues
212.722.3512

From: Aurora Communications, Inc.

Joe Cuba: Father of New York Boogaloo has passed away

The “Father of Boogaloo” Joe Cuba passed away on Sunday, February 15, 2009 at 4 p.m. at Mt. Sinai Hospital in New York. He was the most popular exponent of the boogaloo, a fused Latino and R&B rhythm that exploded onto the American top 40s charts during the turbulent 1960s & ‘70s. Hits such as “*Bang Bang,” “Push Push,” “El Pito,” “Ariñañara,” and “Sock It To Me Baby,” rocked the hit parades establishing Joe Cuba and his Sextet as the definitive sound of Latin New York during the ‘60s & ‘70s. The Joe Cuba Sextet’s unusual instrumentation featured vibraphones replacing the traditional brass sound. His music was at the forefront of the Nuyroican movement of New York where the children of Puerto Rican emigrants, America’s last citizens, took music, culture, arts and politics into their own hands.

Joe Cuba’s Sextet became popular in the New York Latino community precisely because it fused a bilingual mix of Afro-Caribbean genres blended with the popular urban rhythm & blues of its time creating a musical marriage between the Fania and Motown sound. His was the first musical introduction to Latin rhythms for many American aficionados. The lyrics to Cuba’s repertoire mixed Spanish and English, becoming an important part of the emerging Nuyorican identity.

Joe Cuba’s music validated the developing Nuyorican population whose language and music Cuba captured with his sound, underlines Giora Breil, CEO of Emusica, the company that now owns the Fania label and who has remastered many of the classics to a new generation of music lovers. “He led the urban tribe,” pointed Breil, “into a united front of cultural warriors that were defining the social and political times they lived in.”

Longtime manager and promoter Hector Maisonave recalls Cuba as ”an innovator who crossed over into mainstream music at an early time. He was the soul of El Barrio. After Joe Cuba, El Barrio is just a street that crosses an avenue.”

In 1962, Cuba recorded “*To Be With You” *with the vocals of Cheo Feliciano and Jimmy Sabater whose careers he spotlighted after the bands introductory appearance at the Stardust Ballroom prior to its summer stint in the Catskills.

Born in 1931 in the heart of Spanish Harlem, his Puerto Rican parents arrived in New York City in the 20s. Christened “Gilberto Miguel Calderón,” Cuba was a “doo wopper” who played for J. Panama in 1950 when he was a young 19 year old before going on to play for La Alfarona X, where the young “congüerro” percussionist replaced Sabu Martinez tapped to play with Xavier Cugat.

By 1965, the Sextet got their first crossover hit with the Latino and soul fusion of “El Pito” (I Never Go Back To Georgia), a tune Cuba recorded against the advice of the producer later to be “broken” by a DJ over WBLS FM in N.Y.. The Dizzy Gillespie “/Never Go Back To Georgia” chant was taken from the intro to the seminal Afro-Cuban tune, “Manteca.” Vocalist Jimmy Sabater later revealed that “none of us had ever been to Georgia.” In fact, Cuba later comically described a conversation he had with the Governor of Georgia who called him demanding why he would record a song whose chorus negatively derided the still segregated Southern town. The quick thinking Joe Cuba replied, “Georgia is the name of my girl.”

“Joe Cuba exemplified the power that comes from collaboration.” highlighted East Harlem’s councilwoman Melissa Mark Viverito. “Through his music, Joe brought together Latinos and African Americans and his art form reflected the influences of both cultures, Furthermore, his music united Harlem and East Harlem by reflecting the growth both communities experienced during the 1960s and ’70s. Joe Cuba made Spanish Harlem proud as he bravely brought his particular New York Latino identity to stages all over the world.”

In 1967, Joe Cuba’s band ––with no horns– scored a “hit” in the United States National Hit Parade List with the song “Bang Bang” – a tune that ushered in the Latin Boogaloo era. He also had a #1 hit, that year on the Billboard charts with the song “Sock It To Me Baby.” The band’s instrumentation included congas, timbales, an occasional bongo, bass, piano and vibraphone. “A bastard sound,” is what Cuba called it pointing to the fans, the people, as the true creators of this music. “You don’t go into a rehearsal and say ‘Hey, let’s invent a new sound or dance.’ They happen. The boogaloo came out of left field.“ Joe Cuba recounts in Mary Kent’s book:” Salsa Talks: A Musical History Uncovered. “It’s the public that creates new dances and different things. The audience invents, the audience relates to what you are doing and then puts their thing into what you are playing/,” pointing to
other artists such as Ricardo Ray or Hector Rivera as pioneers of the urban fused rhythm.

“I met Joe up in the Catskills in 1955,” /recalls nine time Grammy Award winner *Eddie Palmieri*. “When I later started La Perfecta,” Palmieri muses, “we alternated on stages with Joe. He was full of life and had a great sense of humor, always laughing at his own jokes,” chuckles the pianist. Palmieri pointed to Cuba’s many musical contributions underlining the power and popularity of his small band and bilingual lyrics while providing a springboard for the harmonies and careers of Cheo Feliciano, Willie Torres and Jimmy Sabater. “He was Spanish Harlem personified,” describes Palmieri recalling the “take no prisoners” attitude Cuba had when it came to dealing with those who reluctantly paid the musicians. Recalling their early recording days with the infamous Morris Levy, Palmieri cites the antics of Joe Cuba, Ismael Rivera and himself as the reason for Levy selling them as a Tico package to Fania label owner, Jerry Masucci.

Funny, irreverent and with a great humor for practical jokes, Joe Cuba, or Sonny as he was called by his closest friends, was raised in East Harlem. Stickball being the main sport for young boys of the neighborhood, Cuba’s father organized a stickball club called the Devils. After Cuba broke a leg, he took up playing the conga and continued to practice between school and his free time. Eventually, he graduated from high school and joined a band.

“He was not afraid to experiment/,” said *David Fernandez*, arranger & musical director of Zon del Barrio who played with the legendary Cuba when he arrived in New York in 2002.

By 1954, at the suggestion of his agent to change the band’s name from the Jose Calderon Sextet to the Joe Cuba Sextet, the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom. Charlie Palmieri was musical director of the sextet before his untimely 1988 death from a heart attack.

Since then, the Joe Cuba Sextet and band has been a staple of concerts and festivals that unite both Latinos, African-Americans and just plain music lovers in venues all over the world.

In 2003, the following CDs were released:

* “Joe Cuba Sextet Vol I: Mardi Gras Music for Dancing”
* “Merengue Loco” and
* “Out of This World Cha Cha”.

In 2004, Joe Cuba was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. Musician *Willie Villegas* who traveled with Joe for the past 15 years said, “It didn’t matter where we played around the world Joe would always turn to me and say, To My
Barrio…. With Love!”

Joe Cuba is survived by his wife Maria Calderon, sons Mitchell and Cesar, daughter Lisa, and grandchildren Nicole and Alexis.

Condolences can be sent directly to Joe Cuba’s widow: Maria Calderon at mariacuba1@verizon.net.

Subjetividad, cultura caribeña y producción cultural de mujeres

El Instituto de Estudios del Caribe

presenta

CONFERENCIAS CARIBEÑAS 4

Dra. Ana Belén Martín Sevillano
Departamento de Español e Italiano
Queen’s University, Canada

Miércoles, 18 de febrero de 2009

Anfiteatro 108, Edificio Carmen Rivera de Alvarado
Facultad de Ciencias Sociales
10:00 – 12:00 m

Los cultos afrocaribeños son una de las señas de identidad de la región y han sido, y son utilizados como emblemas distintivos de lo nacional. Sin embargo, entiendo que la más reciente producción cultural elaborada por mujeres trata de manera muy diferente el material del legado afrocaribeño, usándolo para elaborar una subjetividad femenina alternativa, encontrada con la que emana de paradigmas androcéntricos como es el de lo nacional. En este sentido, las figuras de Belkis Ayón, Marta María Pérez Bravo y Mayra Montero han elaborado una poética visual y literaria de radical valor estético y coherencia conceptual. Las tres recurren de manera antropológica al legado afrocubano y afrocaribeño para reelaborar significantes y reconstruir símbolos que faciliten la autoconciencia. La ponencia recorre brevemente la obra de estas autoras quienes, a pesar de situarse en el centro del discurso religioso, escapan las posiciones tradicionalmente asignadas a la mujer, dando lugar a nuevas subjetividades y a diferentes maneras de entenderse.

PLEASE ATTEND AND HELP ORGANIZE

El Gallo Alborotoso
Special Message from Ramon J. Jimenez

On February 7, 2009 at Hostos Community College in the South Bronx at 7:00 PM, the life of recently deceased Jose Chegui Torres, former Light Heay Weight Champion will be celebrated. We are asking all his friends to spread the word as we have only 10 days to organize the activity. Please contact Ramon J. Jimenez (917-517-1320), Julio Pabon (718-402-9310) or Ponce Laspina (646-337-6775).

We are developing the program and open to any suggestions. There will be a large representation from the Boxing World and many journalists who worked with Jose.

Sponsor: Juan La Porte Boxing Gym, El Maestro, Latinos Sports and Friends of the South Bronx

LATINO/AS AND THE MEDIA

A NATIONAL CONFERENCE

FEBRUARY 6, 8:30 A.M. – 4:00 P.M.

LATINO/AS AND THE MEDIA
A NATIONAL CONFERENCE

John Jay College Of Criminal Justice/CUNY
899 Tenth Avenue (Corner of 59th Street) – Room 630T
New York, New York 10019

For more information please contact:

Suzanne Oboler, Editor, Latino Studies
Angela Marino Segura, Managing Editor, Latino Studies
Phone: (646) 557-4666; Email: latstu@jjay.cuny.edu
www.palgrave-journals.com/lst