Tag Archives: Panama

El Grito de Lares

November 1, 2009CorrientesCaribbean, Comandante Filiberto, Dag Hammarskjold Plaza, Federal Bureau of Investigation, Filiberto Ojeda Rios, leader, Panama, Puerto Rican Peopleï¿½s Army, Puerto Rico, Spain, Times Square, UN General Assembly, United Nations, United Nations Special Committee on Decolonization, United Statesescalona

Join us Sunday, September 23rd in a march and rally for Puerto Rican independence and self-determination. (Details follow)

Sunday September 23rd.
!Todos somos Macheteros!

12PM Begin gathering at Times Square (Broadway between 41st & 42nd)
1PM: Begin marching towards the United Nations
2PM: Rally at the UN- Dag Hammarskjold Plaza featuring speakers from Puerto Rican and ally communities and live hip hop and bomba performances.

www.September23.org

(212)696-6804

Puerto Rico is the oldest colony on the planet, first invaded by Spain in 1493, then in 1898 by the United States. After 109 years, it continues under U.S. colonial rule.

Within those 500 plus years of invasion and occupation, the Puerto Rican people have been engaged in anti-imperialist/ anti-colonial resistance that continues to this day.

The Significance of the September 23rd date September 23rd, 1868 is traditionally celebrated and commemorated as the birth ofthe Puerto Rican nation, when Puerto Ricans rose up against Spanish colonial rule in a revolt known as El Grito de Lares. By 1898, Puerto Rico had achieved a form of autonomous self-rule, which came to an end later that year with the United States invasion of the island during the Spanish- American War. Puerto Rico has been under the political rule of the United States ever since and has continued to struggle throughout that time for its independence
and self-determination.

Well aware of this date’s significance to the independence movement, on September 23rd, 2005, U.S. FBI agents assassinated Filiberto Ojeda Rios. Comandante Filiberto, who founded el Ejercito Popular Boricua (the Puerto Rican People’s Army) – Los Macheteros, was a revered revolutionary leader of the Puerto Rican liberation struggle. The assassination of Filiberto on this date was a clear attempt to kill the spirit of the ongoing Puerto Rican liberation struggle.

Why the UN location? In spite of their attempt to kill our spirit, the FBI assassination of Ojeda Rios served to rally additional support for the independence movement. Since his death, the United Nations Special Committee on Decolonization voted unanimously on a resolution calling for the Decolonization of Puerto Rico. This resolution, in addition to several declarations made on the colonial situation of the island reiterates: “the Puerto Rican people constitute a Latin American and Caribbean nation that has its own unequivocal national identity.” If picked up by the UN General Assembly the Puerto Rican status question will be addressed in September of 2008. This historical decision would put Puerto Rico’s status
issue on the UN agenda for the first time since 1953. The September 23rd march will rally national and international support so that the United Nations will make it a priority to resolve the colonial situation in Puerto Rico once and for all, through its natural right to be a free nation.

What, when and where?: On Sunday, September 23rd of 2007:

12PM Begin gathering at Times Square (Broadway between 41st & 42nd)
1PM: Begin marching towards the United Nations
2PM: Rally at the UN- Dag Hammarskjold Plaza featuring speakers from Puerto Rican
and ally communities and live hip hop and bomba performances.

For more information and march route/ program details visit:
www.September23.org

(212)696-6804

Vicente ” Panama” Alba
panamaalba2@yahoo.com
(917) 626-5847

“if you tremble with indignation at every injustice then you are comrade of mine.”
“Let’s be realistic, let’s do the impossible”
Ernesto “Che” Guevara

PRdream mourns the passing of Joe Cuba, 1931 – 2009

November 1, 2009CorrientesAmerica, Aurora Communications Inc., Caribbean, CEO, Cesar, Charlie Palmieri, Cheo Feliciano, Councilwoman, Cuba, Dancing, David Fernandez, Devils, director of the sextet, director of Zon del Barrio, Eddie Palmieri, Emusica, Fania label owner, Georgia, Giora Breil, Governor, Grammy Award, Harlem, heart attack, Hector Maisonave, Hector Rivera, Ismael Rivera, Jerry Masucci, Jimmy Sabater, Joe Cuba Sextet, Joe Cuba Sextet Vol, Joe Cubaï¿½s Sextet, manager, Mardi Gras Music, Maria Calderon, Melissa Mark Viverito, Mitchell, Morris Levy, Motown, Mt. Sinai Hospital, Musical Director, Musician, New York, New York Boogaloo, New York City, Nuyroican, Panama, pianist, producer, R&G Ortiz Funeral Home, Ricardo Ray, Sabu Martinez, Stardust Ballroom, Vocalist, WBLS FM, WILLIE TORRES, Willie Villegas, Xavier Cugat, Yonkersescalona

Viewing on Wednesday & Thursday, February 18 & 19, 2PM – 10PM

R&G Ortiz Funeral Home
204 E. 116th Street, between 3rd & 2nd Avenues
212.722.3512

From: Aurora Communications, Inc.

Joe Cuba: Father of New York Boogaloo has passed away

The “Father of Boogaloo” Joe Cuba passed away on Sunday, February 15, 2009 at 4 p.m. at Mt. Sinai Hospital in New York. He was the most popular exponent of the boogaloo, a fused Latino and R&B rhythm that exploded onto the American top 40s charts during the turbulent 1960s & ‘70s. Hits such as “*Bang Bang,” “Push Push,” “El Pito,” “Ariñañara,” and “Sock It To Me Baby,” rocked the hit parades establishing Joe Cuba and his Sextet as the definitive sound of Latin New York during the ‘60s & ‘70s. The Joe Cuba Sextet’s unusual instrumentation featured vibraphones replacing the traditional brass sound. His music was at the forefront of the Nuyroican movement of New York where the children of Puerto Rican emigrants, America’s last citizens, took music, culture, arts and politics into their own hands.

Joe Cuba’s Sextet became popular in the New York Latino community precisely because it fused a bilingual mix of Afro-Caribbean genres blended with the popular urban rhythm & blues of its time creating a musical marriage between the Fania and Motown sound. His was the first musical introduction to Latin rhythms for many American aficionados. The lyrics to Cuba’s repertoire mixed Spanish and English, becoming an important part of the emerging Nuyorican identity.

Joe Cuba’s music validated the developing Nuyorican population whose language and music Cuba captured with his sound, underlines Giora Breil, CEO of Emusica, the company that now owns the Fania label and who has remastered many of the classics to a new generation of music lovers. “He led the urban tribe,” pointed Breil, “into a united front of cultural warriors that were defining the social and political times they lived in.”

Longtime manager and promoter Hector Maisonave recalls Cuba as ”an innovator who crossed over into mainstream music at an early time. He was the soul of El Barrio. After Joe Cuba, El Barrio is just a street that crosses an avenue.”

In 1962, Cuba recorded “*To Be With You” *with the vocals of Cheo Feliciano and Jimmy Sabater whose careers he spotlighted after the bands introductory appearance at the Stardust Ballroom prior to its summer stint in the Catskills.

Born in 1931 in the heart of Spanish Harlem, his Puerto Rican parents arrived in New York City in the 20s. Christened “Gilberto Miguel Calderón,” Cuba was a “doo wopper” who played for J. Panama in 1950 when he was a young 19 year old before going on to play for La Alfarona X, where the young “congüerro” percussionist replaced Sabu Martinez tapped to play with Xavier Cugat.

By 1965, the Sextet got their first crossover hit with the Latino and soul fusion of “El Pito” (I Never Go Back To Georgia), a tune Cuba recorded against the advice of the producer later to be “broken” by a DJ over WBLS FM in N.Y.. The Dizzy Gillespie “/Never Go Back To Georgia” chant was taken from the intro to the seminal Afro-Cuban tune, “Manteca.” Vocalist Jimmy Sabater later revealed that “none of us had ever been to Georgia.” In fact, Cuba later comically described a conversation he had with the Governor of Georgia who called him demanding why he would record a song whose chorus negatively derided the still segregated Southern town. The quick thinking Joe Cuba replied, “Georgia is the name of my girl.”

“Joe Cuba exemplified the power that comes from collaboration.” highlighted East Harlem’s councilwoman Melissa Mark Viverito. “Through his music, Joe brought together Latinos and African Americans and his art form reflected the influences of both cultures, Furthermore, his music united Harlem and East Harlem by reflecting the growth both communities experienced during the 1960s and ’70s. Joe Cuba made Spanish Harlem proud as he bravely brought his particular New York Latino identity to stages all over the world.”

In 1967, Joe Cuba’s band ––with no horns– scored a “hit” in the United States National Hit Parade List with the song “Bang Bang” – a tune that ushered in the Latin Boogaloo era. He also had a #1 hit, that year on the Billboard charts with the song “Sock It To Me Baby.” The band’s instrumentation included congas, timbales, an occasional bongo, bass, piano and vibraphone. “A bastard sound,” is what Cuba called it pointing to the fans, the people, as the true creators of this music. “You don’t go into a rehearsal and say ‘Hey, let’s invent a new sound or dance.’ They happen. The boogaloo came out of left field.“ Joe Cuba recounts in Mary Kent’s book:” Salsa Talks: A Musical History Uncovered. “It’s the public that creates new dances and different things. The audience invents, the audience relates to what you are doing and then puts their thing into what you are playing/,” pointing to
other artists such as Ricardo Ray or Hector Rivera as pioneers of the urban fused rhythm.

“I met Joe up in the Catskills in 1955,” /recalls nine time Grammy Award winner *Eddie Palmieri*. “When I later started La Perfecta,” Palmieri muses, “we alternated on stages with Joe. He was full of life and had a great sense of humor, always laughing at his own jokes,” chuckles the pianist. Palmieri pointed to Cuba’s many musical contributions underlining the power and popularity of his small band and bilingual lyrics while providing a springboard for the harmonies and careers of Cheo Feliciano, Willie Torres and Jimmy Sabater. “He was Spanish Harlem personified,” describes Palmieri recalling the “take no prisoners” attitude Cuba had when it came to dealing with those who reluctantly paid the musicians. Recalling their early recording days with the infamous Morris Levy, Palmieri cites the antics of Joe Cuba, Ismael Rivera and himself as the reason for Levy selling them as a Tico package to Fania label owner, Jerry Masucci.

Funny, irreverent and with a great humor for practical jokes, Joe Cuba, or Sonny as he was called by his closest friends, was raised in East Harlem. Stickball being the main sport for young boys of the neighborhood, Cuba’s father organized a stickball club called the Devils. After Cuba broke a leg, he took up playing the conga and continued to practice between school and his free time. Eventually, he graduated from high school and joined a band.

“He was not afraid to experiment/,” said *David Fernandez*, arranger & musical director of Zon del Barrio who played with the legendary Cuba when he arrived in New York in 2002.

By 1954, at the suggestion of his agent to change the band’s name from the Jose Calderon Sextet to the Joe Cuba Sextet, the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom. Charlie Palmieri was musical director of the sextet before his untimely 1988 death from a heart attack.

Since then, the Joe Cuba Sextet and band has been a staple of concerts and festivals that unite both Latinos, African-Americans and just plain music lovers in venues all over the world.

In 2003, the following CDs were released:

* “Joe Cuba Sextet Vol I: Mardi Gras Music for Dancing”
* “Merengue Loco” and
* “Out of This World Cha Cha”.

In 2004, Joe Cuba was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. Musician *Willie Villegas* who traveled with Joe for the past 15 years said, “It didn’t matter where we played around the world Joe would always turn to me and say, To My
Barrio…. With Love!”

Joe Cuba is survived by his wife Maria Calderon, sons Mitchell and Cesar, daughter Lisa, and grandchildren Nicole and Alexis.

Condolences can be sent directly to Joe Cuba’s widow: Maria Calderon at mariacuba1@verizon.net.

Major Latino Organizations Speak Out Against PBS series THE WAR

August 20, 2007The ForumAldo Lauria Santiago, America, Amherst, and National Bronx Member, Armando Rendon, Assistant Professor, Associate Professor, Associate Professor of Education, Associate Professor of Spanish, Austin Angela Valenzuela, Austin Armando Vazquez-Ramos, Austin Miguel "Mickey" Melendez, Austin Richard Valencia, Boston, Brown University, CA National Institute for Latino Policy, California, California State University, Candida Tapia Donato Tapia, Carlos Molina, Carlos Rodriguez, CEO and president, Cepeda, Chair, Charles Pitt Robinson, City College of New York, City University of New York, Clara E. Rodriguez, Clinical Coordinator, co-chair, Commander, Commissioner, Congressman, Coordinator, Cynthia Garcia Coll, D. Tanya K. Hernandez, DC National Association of Latino Independent Producers, Department of Curriculum & Instruction, Department of Educational Psychology, Department of History, Department of Political Science, Department of Sociology, Department of Urban Studies, Dolores M. Fern, East Region Area Organizing Director, Ed (Gato) Castillo-Rubio, Edgar De Jesus, Educational Administration, Edwin Karli Padilla, Emilio Zamora, Esteban Torres, Eugene Rivera, Evelyn Collazo, Executive Director, Federal Communications Commission, Florentine Films, Frances Aparicio, Francisco J. Gonzalez, Franklyn Perez, Frederick W. Hall Scholar, Gabriel Haslip-Viera, Gloria Tristani, Grissele Camacho, Gus Chavez, Hector Soto, Herbert H. Lehman College, Hilda Hern, Hill Health Center, Hispanic Media Coalition, Hispanic War Veterans of America, Hostos Community College, Illinois, Investigator, Jaime Estades, James Jennings, Jess Quintero, Jessica Gonzalez-Rojas, John Palmer, journalism professor, Jr., Juan Flores, Ken Burns, La Resurreccion UMC Social Justice Committee, Labor Council for Latin American Advancement, Latin American and Latino Studies, Latina, Long Beach, Los Angeles, Los Angeles League, Louise Bonanova, Luis Aponte-Par, Luis O. Reyes, Luis Urrieta, LULAC, Luz Rodriguez, Maggie Rivas-Rodr, Major, Marta Garc, Martin Espada, Massachusetts, Medger Evers College, Middletown, Minerva Delgado, Miriam Jim, Myra Y. Estepa, National Association of Hispanic Journalists, National Endowment for the Humanities, national president, Nelson Sierra, New York Chapter, New York, New York University, Newark, NY National Latino Council on Alcohol and Tobacco Prevention, NY Izzy Sanabria, Office for Civil Rights, Officer, one of the founders, Panama, Paula Kerger, PBS President and CEO, Placido Salazar, President, Professor, Professor of Education, Professor of Law, Professor of Social, Puerto Rico, Queens College, Raul Madrid, Ricardo R. Fernandez, Rights, Rosa Rosales, Rosalina Diaz, Rudy L. Ramos Civil, Rudy L. Ramos Civil Rights Chapter, Rutgers University, Rutgers University School of Law, San Anotnio Carlos Sanabria, San Antonio, San Francisco, San Juan, Sharon Percy Rockefeller, Texas, The War, Tuft University, United States Department of Education, United States, University of Illinois at Chicago, University of Houston, University of Massachusetts, University of Puerto Rico, University of Texas, USD, Veterans of Foreign Wars, Viet Nam Veterans, Washington, WETA, WETA-TV, Williams College, Williamstown, WWIIescalona

Major Latino Organizations Speak Out:
The WAR AGAINST KEN BURNS / PBS’
“THE WAR” IS NOT OVER
Why the Latino Community Can’t Let This Matter Rest

The Latino “war” against Ken Burns’ upcoming documentary, “The War,” to be aired on PBS is not over. Despite recent press statements, key Latino organizations and leaders across the country today publicly announced that the issue is far from resolved and that they will continue pressing for a respectful resolution. Latino organizations and leaders called on Ken Burns and Florentine Pictures to meet with a representative cross-section of the national Latino leadership to explain in detail the changes they have made to the film, how they plan to include the Latino experience in their future projects and how they plan to include Latinos on the Florentine team. They also call on PBS President and CEO Paula Kerger, as well as WETA-TV’s CEO and president, Sharon Percy Rockefeller, to explain the measures that will be taken to assure that such a gross exclusion of the Latino community does not occur again in their current and future programming, and how they will supplement The War with other programming and activities to include the Latino experience, in particular with the educational programming.

At the urging of a corporate sponsor, Burns met with two Latino groups in early May and reiterated that he would include interviews with some Latino veterans in the 14.5 hour documentary, without offering many details. This was a commitment that he and PBS had already made publicly. Citing the results of this meeting, Burns and PBS officials at both the national and local levels have declared the issue closed. “Ken Burns cannot choose to make a secret deal with only two of the many Latino groups that were involved in this issue and in discussion with him and PBS, and then claim that the matter is resolved,” explains Marta García, co-chair of the New York Chapter of the National Hispanic Media Coalition and one of the founders of Defend the Honor, a Latino grassroots mobilization that first raised the alarm about Latino exclusion from this PBS documentary at the beginning of this year. “He must bring closure to this issue by paying the Latino leadership of this country the respect, respeto, of meeting with us to explain himself and his future relationship to the Latino community.”

Some progress had been made on the issue over the past several months in that Burns has added interviews with two Mexican American veterans and one Native American to the 14 hour and 28 minute documentary. “But make no mistake,” said Iván Román, executive director of the National Association of Hispanic Journalists, “we will withhold judgment on how meaningful that additional material is – whether it truly speaks to the Latino experience and whether it is reflected in the companion book and educational material.” In subsequent statements to the press, Burns has been dismissive of the arguments that the inclusion of Latinos is about historical accuracy rather than political correctness.

“It is unfortunate that Ken Burns continues to see this issue as one of politics and rhetoric that he must rise above,” said Dr. Maggie Rivas-Rodríguez, the University of Texas journalism professor who co-chairs the Defend the Honor Campaign. “It has nothing to do with politics and everything to do with historical accuracy andinclusion.” Rosa Rosales, national president of LULAC, said that it was crucial for the Latino
organizations to publicly challenge statements in the press by Burns and PBS that the issue had been resolved. “As Ken Burns travels across the country as part of the $10 million promotional effort by PBS, he still characterizes this as a terrible misunderstanding,” Rosales said. “It’s no misunderstanding. We understand perfectly that he only added the new interviews under pressure and, right now, it looks like he’s not very proud of that new material.”

Another sticking point are the discrepancies between the National Endowment for the Humanities (NEH) grant proposal that provided federal funding for the film, and what he and PBS have said in recent months. For instance, Burns has said repeatedly in news interviews that in the more than 6 years of production, “no Latinos came forward” to be interviewed about their WWII experiences. But he apparently excluded Latinos from the beginning: in the NEH grant proposal submitted in 2004, Burns and Florentine Films said that the film “will celebrate American diversity” and that
it will be about the “diversity of wartime America . . . African-American, Japanese American and white.” “This is certainly very different from the way he discusses his film today in defending himself against Latino criticisms,” observes Jess Quintero, president of the Hispanic War Veterans of America. That documentary will shape how Americans view WWII, and if short shrift is given to the Latino contributions, there will be a reinforcement of the widespread ignoranceof the Latino contribution to the building of the U.S. “Ken Burns and PBS are playing recklessly with our history, both as Latinos and Americans,” observes Gus Chavez,one of the co-chairs of the Defend the Honor. He concludes, “This is something every
American should be upset about.”

“We are very uncomfortable with taking Burns and PBS’ word that they have addressed the Latino community’s concerns before actually seeing the product,” Armando Rendon of Defend the Honor Campaign of Northern California adds. “The anger in the grassroots Latino community continues unabated by the manner in which he and PBS have handled this matter.”-30-

Preliminary signatories to this statement include the following, with additional signatures to be added through Sept. 22, 2007.

Organizations:
Afro-Latino Project, Queens College (CUNY), Flushing, NY
APITO Centro Cultural de Puerto Rico (ACCPR), San Juan, Puerto Rico
Defend the Honor
Latino Literacy Now, Los Angeles
League of United Latin America Citizens (LULAC)
Lic. Rudy L. Ramos Civil Rights Chapter of the American GI Forum, San Antonio, Texas
National Association of Hispanic Journalists (NAHJ), Washington, DC
National Association of Latino Independent Producers (NALIP), Los Angeles, CA
National Hispanic Media Coalition (NHMC), Los Angeles, CA
National Institute for Latino Policy (NiLP), New York, NY
National Latino Council on Alcohol and Tobacco Prevention (LCAT), New York, NY & Wash., DC

Individuals (affiliations for identification purposes only):
Vicente “Panama” Alba, New York, NY
Frances Aparicio, Ph.D., Professor, Latin American and Latino Studies, University
of Illinois at Chicago
Luis Aponte-Parés, Boston, MA
Louise Bonanova, Civil Rights Investigator (Retired), Office for Civil Rights, United
States Department of Education, San Francisco, CA
María Cabán
Grissele Camacho, Esq.
Ed (Gato) Castillo-Rubio, Commander, Viet Nam Veterans of Foreign Wars (VFW) Post
9305 of Imperial County
María Elena Cepeda, Ph.D., Assistant Professor, Latina/o Studies, Williams College,
Williamstown, MA
Evelyn Collazo, New York, NY
Edgar De Jesus, AFSMCE East Region Area Organizing Director, and National Bronx
Member, Labor Council for Latin American Advancement (LACLA)
Minerva Delgado, Bronx, NY
Dra. Rosalina Diaz, Associate Professor of Education, Medger Evers College (CUNY), Brooklyn, NY
Martin Espada, Professor, University of Massachusetts, Amherst
Jaime Estades, Brooklyn, NY
Myra Y. Estepa, Brooklyn, NY
Dolores M. Fernández, Ph.D., President, Eugenio Maria de Hostos Community College
(CUNY), Bronx, NY
Ricardo R. Fernandez, Ph.D., President, Herbert H. Lehman College (CUNY), Bronx, NY
Juan Flores, Ph.D., Visiting Professor of Social and Cultural Analysis, New York University, New York, NY
Cynthia Garcia Coll, Ph.D., Charles Pitt Robinson and John Palmer Barstow Professor
Professor of Education, Psychology & Pediatrics, Brown University, Providence, RI
Jessica Gonzalez-Rojas, Queens, NY
Gabriel Haslip-Viera, Ph.D., Chair, Department of Sociology, City College of New York, City University of New York, New York, NY
Hilda Hernández-Gravelle, MSW, Ed.D.
Tanya K. Hernandez, Professor of Law and Justice, Frederick W. Hall Scholar, Rutgers University School of Law, Newark, NJ
James Jennings, Ph.D., Professor, Tuft University, Boston, MA
Miriam Jiménez Román, Afro-Latino Forum, New York University, New York, NY
Francisco J. Gonzalez, Cottage Grove, MN
Aldo Lauria Santiago, Ph.D., Rutgers University
Raul Madrid, Ph.D., Department of Political Science, University of Texas at Austin
Miguel “Mickey” Melendez, New York, NY
Carlos Molina, Ph.D., New York, NY
Edwin Karli Padilla, Associate Professor of Spanish, University of Houston-Downtown
Franklyn Perez, Esq., Hostos Community College, Bronx, NY
Luis O. Reyes, Ph.D., New York, NY
Eugene Rivera, Clinical Coordinator, Hill Health Center, Middletown, CT
Clara E. Rodriguez, Ph.D., Bronx, NY
Luz Rodriguez, New York, NY
Carlos Rodriguez-Fraticelli, Ph.D., University of Puerto Rico, Rio Piedras
Placido Salazar, USAF Retired Vietnam Veteran, State Veterans’ Affairs, Officer
of The American GI Forum of Texas, San Anotnio
Carlos Sanabria, Ph.D., Coordinator of Latin American and Caribbean Studies, Eugenio
Maria de Hostos Community College, City University of New York, Bronx, NY
Izzy Sanabria, publisher, Latin NY Magazine; Salsamagazine.com
Dr. José Ramon Sánchez, Chair, Department of Urban Studies, Long Island University, Brooklyn, NY
Nelson Sierra, Albany, NY
Hector Soto, Esq., La Resurreccion UMC Social Justice Committee, Bronx, NY
Candida Tapia
Donato Tapia, JD, San Francisco, CA
Hon. Esteban Torres, former U.S. Congressman, California
Gloria Tristani, former Commissioner, Federal Communications Commission (FCC)
Luis Urrieta, Jr., Ed.D., Department of Curriculum & Instruction, University of Texas at Austin
Richard Valencia, Ed.D., Department of Educational Psychology, University of Texas at Austin
Angela Valenzuela, Ed.D., Department of. Curriculum and Instruction and Educational Administration, University of Texas at Austin
Armando Vazquez-Ramos, Ph.D., Chicano & Latino Studies Department, California State University, Long Beach
Emilio Zamora, Ph.D., Department of History, University of Texas at Austin