Black, Latino, Both: AfroLatinos and the Current Immigration Debate

afrolatin@ forum

presents

Black, Latino, Both
AfroLatinos and the Current Immigration Debate

Saturday, October 13, 2007
1–3 pm
at the Schomburg Center for Research in Black Culture
135th Street and Malcolm X Boulevard, NYC

How do changing notions of Blackness and Latinidad inform the
immigration debate? What social and political roles do Black Latinos
play in today’s discussions about race and ethnicity in the United
States?

Moderator: Howard Jordán – attorney, professor at Hostos
Community College, columnist and host of WBAI’s The Jordan Journal

Panelists: Clarence Lusane – political science professor at
American University, activist, journalist, and author of Race in the
Global Era.

Yvette Modestin – Afro-Panamanian activist concerned with issues
affecting women of African descent; founder and director of “Encuentro
Diaspora Afro” in Boston.

Ángela Pérez – immigrant from Colombia and student at the City College
of New York researching the effects of public policy on African
American–Latino relations in post-Katrina New Orleans.

Silvio Torres-Saillant – professor at Syracuse University, founding
Director of the City University of New York Dominican Studies
Institute, and co-author of The Dominican Americans.

This event is co-sponsored by
The Schomburg Center for Research in Black Culture–NYPL and El Museo del Barrio

To reserve your seat call 212.491.2229, or send
an email to: schomburgrsvp@nypl.org.

Open and free to the public.

I FOUND WHAT WAS HIDDEN.

Hidden from me for such a long time the only thing i knew is i’m a puerto rican, and my family from my dad side is from lardes pueto rico..and my family from moms side is from san juan puerto rico..and that i love to eat spanish food and how beautiful puerto rico is..Thats all i knew.

well i got curious, i wanted to know more about where my mom and dad came from, I never learned about the truth of our race,culture,our history.. its sad to see that you cant find this information anywhere. I found out a lot of my history in the texts of a book called “BORICUAS” Influential puerto rican writings an anthhology. for those interested in exploring the meaning of being puerto rican and the dynamics of race and ethnicity today.

“”LATINO STUDIES””we must continue to educate our brothers and sisters, keep rising above, keep reaching out for more and never settle for less.. we are strong and we will continue to prove this time and time again, we have come a long way. YES we are the future!! I invite anyone with more knowledge of our history.

“I Thank You In Advance”

 

 

7th Annual NYC Brides March Against Domestic Violence, Wed 26 sep

New York Latinas Against Domestic Violence
c/o Violence Intervention Program, Inc.
P.O. Box 1161 New York, NY 10035
(212) 410-9080
www.nylatinasagainstdv.org

For Immediate Release
September 25, 2007

Contacts:
Antonieta Gimeno (646) 672-1404, cell 917-981-1625
Janice Cruz (646) 672-1404

Seventh Annual NYC Brides’ March Against Domestic Violence
Wednesday, September 26, 2007

Scores of “Brides” and Supporters Will March Through Manhattan and the Bronx to Remember Gladys Ricart and Other Victims of Domestic Violence
For the seventh year in a row, scores of women dressed in wedding gowns, along with men dressed in black, will march through the streets of Washington Heights, the South Bronx, and East Harlem to raise awareness about the devastating effects of domestic violence on Latino and other families and communities.
Marchers will start gathering at 9 a.m. in front of the offices of the Dominican Women’s Development Center at 251 Fort Washington Avenue where they will hear from some of the march organizers. The six-mile march will begin promptly at 10:30 a.m. and will end after 3 p.m. in East Harlem at the Bonifacio Senior Center, 7 East 116th Street with a speak-out and closing ceremony (see attached march route).

The Brides’ March, also known as The Gladys Ricart and Victims of Domestic Violence Memorial Walk, is an annual event that was started in 2001 to remember Ms. Ricart, who was murdered by a former abusive boyfriend on the day she was to wed someone else, and all the other women who have been killed or injured in domestic violence incidents (see chronology of events attached). Because the wedding dress, the emblem of happiness and everlasting love, has been forever tainted in the Latino community by Gladys’ murder, it is a strong symbol for the New York Latinas Against Domestic Violence (NYLADV), the main organizers of the March.

Marchers will be joined by Josie Ashton, a Dominican woman from Florida who originated the idea for the first march, after being strongly moved by the murder, slanted media coverage, and some community members’ insensitive response to Ms. Ricart’s murder. Ms. Ashton resigned from her job and sacrificed more than two months of her life away from her family to walk in a wedding gown, down the East Coast, from New Jersey to Miami, in an attempt to draw attention to the horrors of domestic violence.

Local government officials and community figures including Manhattan Borough President Scott M. Stringer, Bronx Borough President Adolfo Carrion, NYS Senator Erik T.  Schneiderman, Assembly Member Adriano Espaillat, Commissioner Yolanda Jimenez from the NYC Mayor’s Office to Combat Domestic Violence, Council Members Melissa
Mark-Viverito, Robert Jackson and Miguel Martinez, will also join the marchers and speak during the day’s events.

Dozens Of Deaths And Hundreds Of Thousands Of Domestic Violence Incidents Reported Each Year In New York City.
According to the NYC Mayor’s Office to Combat Domestic Violence, there were 71 family related homicides in 2006 as of December 31, 2006. Family related homicide includes intimate partner homicide as well as homicide committed by other family members and includes children who were killed as a result of family violence. 83% of these cases had no known prior police contact and 6% of these cases had a current Order of Protection. At present, there are 2,081 domestic violence emergency shelter beds citywide, a 35% increase since January 2002.
In addition, according to the Mayor’s Office, the police responded to 221,071 domestic violence incidents in 2006; this averages to over 600 incidents per day. And teen dating relationship abuse continues to be a problem as well. The City Domestic Violence Hotline received 9,462 calls from teens in 2006.
Rosita Romero, Executive Director of the Dominican Women’s Development Center said “domestic violence is not a women’s problem; it is a problem that affects the entire family and our society as a whole. It is also connected to other types of violence in our society. We have to find better ways of relating to each other as human beings; on a more equal level and with more kindness and compassion. We need to educate ourselves more about this pandemic to make a bigger commitment to prevent it and eradicate it.”
Josie Ashton who will address the marchers during the rally at the Bonifacio Senior Center stresses that “we continue with our commitments to every woman, man and children to work hard every day to fight domestic violence. Our hope is that our government and members of our community will do the same.”
A partial list of sponsors for the 2007 NYC Annual Brides’ March include:

New York Latinas Against Domestic Violence, the Ricart family, Josie Ashton, Nuevo Amanecer, Violence Intervention Program, Dominican Women’s Development Center, The National Latino Alliance for the Elimination of Domestic Violence, Northern Manhattan Improvement Corporation, Assembly Member Adriano Espaillat, National Dominican Women’s Caucus, Anthony Diaz from Fortune Society.
A partial list of participating individuals and organizations include:

Bronx Borough President Adolfo Carrión, Manhattan Borough President Scott Stringer, State Senator Eric T. Schneiderman, Congress Member Charles B. Rangel’s Office, Seny Tavera Special Counsel to Lieutenant Governor David Patterson, Crucita Medina Martinez, Bonifacio Senior Center, NYC Mayor’s Office to Combat Domestic Violence, NYC Mayor’s Office on Immigrant Affairs, New York City Police Department, New York City Department of Sanitation, Assembly Woman Noemi Rivera, Council Member Miguel Martinez, Council Member Robert Jackson, Council Member Helen Foster, Council Member Melissa Mark-Viverito, Jorge Abreu from Heritage Health Housing, Reverend Luis Barrios from the San Romero de las Americas Church, Reverend Hector Laporte, Lucy Pizarro of Levántate Mujer, Planned Parenthood, CONNECT, In Motion.

Serrano Concerned About Potential Arecibo Closure

Congressman José E. Serrano
Representing the Sixteenth District of New York
PRESS RELEASE

Washington, DC – September 19, 2007 – Yesterday, Congressman José E. Serrano sent the following letter to the National Science Foundation expressing his deep concerns about the potential closure of the Arecibo Observatory in Puerto Rico.

***

September 18, 2007

Dr. Arden Bement
Director
National Science Foundation
4201 Wilson Boulevard
Arlington, VA 22230

Dear Dr. Bement:

I am writing to express my concern over the National Science Foundation’s current and future intentions for the Arecibo Observatory located in Arecibo, Puerto Rico. I strongly believe that Arecibo still has a vital role to play in the U.S. and worldwide scientific community.

As you know, Arecibo Observatory has been, and continues to be, at the forefront of radio astronomy research and atmospheric sciences. Scientists from around the globe use Arecibo’s facilities to further research in everything from astrophysics to the atmospheric sciences. There have been several new discoveries in the past year alone, which continue to justify the importance and necessity of the Arecibo Observatory. The potential loss of this device would not just be a blow to Puerto Rico, but to the scientific community at-large.

Additionally, Arecibo plays an important role in the local Puerto Rican economy, providing jobs to members of the surrounding community. It also has an important public relations mission as well, with more than 120,000 visitors, including 25,000 schoolchildren, coming to the facility on an annual basis. At a time when the United States is trying to promote science-related career opportunities to people of color, it is seems unwise to move to close a facility that serves as such an important resource to more than 4 million Latinos in the United States.

As a member of the Appropriations Committee, I have helped increase NSF’s major facilities and construction budget by $50 million dollars since 2004. Moreover, Congress has stated its intention to continue this trend. Because of this, I do not understand why the proposal to build new observatories must come at the expense of those that continue to provide important and relevant information to the scientific community. Given Congress’ interest in renewing our nation’s scientific research capabilities, we should be expanding our facilities, rather than closing them.

It is my hope that you will reconsider this decision. However, please be assured that I will do everything in my power to ensure that federal funding does not fall below the critical level that would force the Arecibo Observatory to close. I look forward to hearing from you on this important issue.

Sincerely,

José E. Serrano
Member of Congress

LATINOS AND PBS’ WAR SERIES

Rodolfo F. Acuña weighs in
on the PBS/Ken Burns Controversy

Dear Ms. Mazur:

Please forgive me if I sound a bit exasperated. It is my understanding that the controversy is about the Ken Burns’ documentary and its failure to integrate Mexican Americans and Latinos into the mainframe of the documentary. Mr. Burns has said in the past that he has a right to artistic freedom and has even claimed that he has a constitutional right to his opinion. I don’t disagree with him — and if this were a novel or a work of fiction that would be great. However, we are talking about a historical documentary.

In defense of your showing the Burns documentary, you have listed a half dozen projects that KCET will offer to California viewers, which is great — but it does not absolve the Ken Burns documentary nor the fact that you will be featuring it. That you are advertising it. That you are touting it as true story of World War II.

Just like the warden said in the film, “Cool Hand Luke,” what we have here is a failure to communicate. You would probably understand me better if you had ever been involved in civil rights. The present controversy is analogous to having the premier school in the school district segregated.

When incensed parents complain, you add a bungalow to the premier school and say, “well you have a bungalow.” When the parents further criticize the school, the response is well Mexicans have a half dozen other schools that are integrated, and we just painted them for you.

Frankly, I am too old to buy the cover up. The damage has been done and you are compounding it. Public television did not do anything after Burns arrogantly disregarded Latinos in his baseball and his jazz documentaries. We were promised that next time there would be more care given to accuracy.

Well, you messed up again.

It just shows a basic “I don’t give a shit attitude” on KCET’s part. What should have been done is to send the documentary back to the editing table and Mexican Americans and Latinos integrated into the storyline. It did not happen although in cases involving other groups you have done it. I applaud you for being sensitive to the Jewish, women and African American communities — but you know what — you disrespect Mexican and Latinos.

Cordially,

Rodolfo F. Acuña, PhD
Chicana/o Studies Department
California State University at Northridge
racuna@csun.edu

BOYCOTT KCET
BOYCOTT NPR

_____

Mare Mazur responds:

Dear Dr. Acuña:

I am very sorry you were insulted by the Ken Burns letter that ran in our September magazine. As the person responsible for the broadcast schedule and our production slate, including the magazine, I can say with certainty that offending our viewers was anything but my intention.

California Connected, which just received the Alfred I. duPonte-Columbia University Award for journalism, just concluded production on a special one-hour episode titled California at War. California at War premieres August 23rd, and will be repeated several times leading up to our broadcast of The War. This program looks at the impact World War II had on California, and more importantly, the impact California had on winning the war. To that end, it includes the history of contribution from the Hispanic community who struggled with racism on the home front while being the most decorated group of the war.

In addition to airing California at War, we renewed the rights to Valor a 30-minute documentary on Latino stories of heroism during World War II, which KCET produced as part of the LA Stories project in 1989. We have also acquired a film by Mario Barrera, Professor Emeritus, Chicano Studies, University of California, Berkeley. Dr. Maggie Rivas-Rodriguez served as the academic advisor on both of those projects.

We are also running Valentina: Mexican-Americans in World War II from our sister station in New Mexico. All of these programs will be heavily promoted in and around The War. It is our expectation that this will give us the opportunity to introduce a wide audience to the history of contribution from the Latino community.

KCET has a long record of representing the Hispanic community in our productions and programming. In 1996 my colleague Joyce Campbell was the Co-executive producer of Chicano! The History of the Mexican American Civil Rights Movement which won the Nosotros Golden Eagle Award for Outstanding Documentary. She was also the executive in charge of American Family, the first Latino family drama to air on broadcast television, which KCET co-produced with Greg Nava.

In 2006 KCET was recognized by the National Hispanic Media Coalition for Excellence in Television Programming.

Ms. Campbell now serves as our Vice President of Education and Children’s Programming. In that capacity she oversees programming designed to reach the diverse audience represented in the eleven counties we serve.

This department is also responsible for the two shows that give me the greatest satisfaction: A Place of Our Own and Los Niños en Su Casa.

These are companion programs produced in both English and Spanish designed to help caregivers of pre-school aged children better prepare the children in their care for early learning.

These two series were originally developed for California distribution. While running regionally they were recognized with a George Foster Peabody Award for excellence in media, and a local Emmy. The website, which is completely bi-lingual, received the Japan Prize, an international commendation for best website. Based on our success in California, we are
able to make the programs available nationally, and are now being carried in nearly 70% of the country.

As a native Angeleno I have made the commitment that our programming, local and national, reflect the unique and diverse voices of Southern California. Again, I regret that Ken’s letter offended you. My colleagues and I work very hard to create a spirit of inclusion in all that we do, and as I began, I’m sorry that you did not find that spirit adequately communicated.

I do hope you choose to watch California at War and our other programs; we are all proud of the work and hope they resonate with our viewers. I would greatly appreciate your feedback and welcome your call should you have the
time.

El Cantante

Everyone has an opinion, I would like to share mine about the movie “El Cantante”. First of all I would like to thank Marc and Jennifer for making such a movie possible. It is easy to sit back and criticize. Making a documentary and being truthful takes much work and effort. Marc and Jennifer are true artist as they captured the essence of who is Hector Lavoe and his legacy. How Hector is a major influence in Latin music and his survival during an error that was not easiest for Latinos. Go see the movie, it’s worth it and make your own opinion. Much congrats to Marc and Jennifer – excellent work, look forward in seeing much continued success.

Puerto Rican Blogger About Puerto Rico’s next think tank

 

If we Puerto Ricans think so much, its about time that we start thinking about another think tank! Besides thinking is so bad that it feels good and its so good that it feels bad.

Anyways, I started a blog. You can think of it as an online discussion of Puerto Rico’s next ideal think tank. Maybe I started this blog to inspire, incite, maybe even dare people to think about anther think tank for Puerto Rico by Puerto Ricans and from a little bit of help from my friends…

My hope is that you inspire me by providing thoughtful ideas, criticism, suggestions, whatever you think that may bless this blog to think some more for Thinking Ricans.

http://thinkagainpr.blogspot.com/

 

PRdream mourns the passing of Andrés Marrero

A pioneer in the art world, he sought to establish an international platform for Puerto Rican artists. Early on, Marrero saw the role the web might play and collaborated with PRdream, most recently in a “Conversatorio on trends in Puerto Rican Art” during CIRCA 2007 that involved Galerias Prinardi in San Juan and West Palm Beach, and MediaNoche in New York City. We extend our deepest condolences to the Marrero Family. Please read below.

*****

“El arte fue su vida”, dijo enfática la curadora Judith Nieves sobre su esposo Andrés Marrero, galerista que falleció el pasado martes en la noche y cuyo cuerpo será cremado mañana luego de una ceremonia de despedida que tendrá lugar a las 5:00 de la tarde en la Funeraria Amador, situada en el Sector Molinari, en Hatillo.

Complicaciones derivadas a su padecimiento de leucemia causaron su muerte el martes a las 10:45 de la noche mientras estaba recluido en la Unidad de Cuidado Intensivo del Hospital Universitario.

A Marrero, de 59 años, le sobreviven su esposa Judith y sus hijos Carlos Andrés y Benjamín.

Hoy iniciará su velatorio en Hatillo con un servicio religioso a las ocho de la noche. La familia respetará los deseos del galerista y esparcirá sus cenizas en el Río Jayuya.

Integrantes del mundo de la plástica en el País coinciden en que los esfuerzos de Marrero -desde que comenzó a laborar con el arte puertorriqueño como marchante en la década del 70- siempre estuvieron dirigidos a darle altura al mismo y a establecer el valor del entonces incipiente mercado.

Abogado y propietario de Galerías Prinardi desde 1992, su relación con el arte evolucionó gracias a Taller Andrés, espacio que abrió en el 1980 en la Avenida Muñoz Rivera. Desde esa época impulsó el arte boricua en esferas locales e internacionales y se mantuvo en el difícil escenario plástico de modo consistente.

Desde su espacio impulsó la carrera de artistas consagrados, como por ejemplo la del Maestro Rafael Tufiño, al tiempo que brindó foro a manifestaciones callejeras como el grafitti. Hace poco, apoyó el nacimiento de la primera feria de arte en la Isla, Circa Puerto Rico.

Sylvia Villafañe, presidenta de la Asociación de Galerías de Puerto Rico, describió a Marrero como “un pilar en el mercado del arte”.

“Su solidez se basó en mantener un espacio adecuado de galería de arte para la venta de obras y el desarrollo de los artistas plásticos puertorriqueños. Fue un pionero de los años 70 cuando el proyecto de las galerías de arte era bien poco conocido y aceptado en Puerto Rico. Ocupará un lugar prominente en la historia del arte de la Isla”, agregó Villafañe.

Oriundo de Jayuya, Marrero colaboró de modo directo con el nacimiento y el desarrollo de la valiosa colección de arte puertorriqueño de la Cooperativa de Seguros Múltiples.

“Andrés fue como un maestro para nosotros” dijo Juan Lugo, curador de la Colección de la Cooperativa, “nos brindó todo su apoyo, nos ayudó a definir el marco conceptual de la colección, a desarrollarla y siempre iba más allá, independientemente de si uno le compraba la pieza a él o a otra persona. Fue una persona puntal en la misión de darle jerarquía y valor al arte puertorriqueño”.

A inicios de este año, Marrero anunció a los medios el establecimiento de Galerías Prinardi USA en West Palm Beach, Florida desde donde buscaba fortalecer el posicionamiento internacional de la plástica puertorriqueña.