Women of El Barrio’s 9th Annual Women’s History Month Celebration

Honoring 3 women of East Harlem/El Barrio, representative of the 3 stages of development:

Michelle Valle – The Learner “Comenzando”
Evelyn Toennis – The Expert “En Pleno Desarrollo”
Myra Colon – The Wise Woman “Actualizada”
Special Acknowledgement to Celia Ramirez

Thursday, March 31, 6-8pm
Taino Towers Crystal Room, 240 East 123rd St, 4th Fl (b/w 2nd and 3rd Ave)
Admission: $20 and $10 for Seniors and students.

Latino Video Art Festival of New York

 

 

King Juan Carlos I of Spain Center at NYU
Region Zero – The Latino Video Art Festival of
New York

24, 25 & 26 March, 2011
Thursday & Friday at 7:00 p.m.
Saturday at 6:00 p.m. with performance at 7:30 p.m.

King Juan Carlos I of Spain Center at NYU
Organized by Laura Turégano and Eva Mendoza Chandas
Curated by Eva Mendoza Chandas
With the support of the Consulate General of Spain in New York
info@regionzero.net

www.regionzero.net

Share this: Facebook | Twitter
Forty artists will show their work in Region 0. The Latino Video Art Festival of New York, which will take place on March 24th, 25th, and 26th, 2011 at NYU’s King Juan Carlos I of Spain Center. 300 video artworks, all of extremely high quality, were submitted in response to the open call. The works that will be screened were selected from those submitted to the open call and others identified by the festival curator. The artworks considered were viewed online, facilitating wide participation—in total, 147 creative artists from Latin America and Spain, some of them US residents. Region 0 showcases current trends in the field of video art, highlighting the distinct conceptual and technical approaches of the participating creators.

The festival, in its first edition, gives visibility to the different perspectives of the creators, who reflect a complex and dynamic sociocultural context where historical, conceptual, economic and technological factors converge.

In some cases this vision translates into works like Deriva sobre la Práctica Artística (2008) by Estíbaliz Sábada, where the artist utilizes the art world to highlight repetitive social patterns within a profesional field that is supposed to be transgressive. Verónica Ruth Frías and Cyro García work through this same idea in Tonto el Que lo Lea (2010), a work inspired by the interaction between gallerists, artists, critics and audience. Will it Blend? (2010) by Raúl Gómez Valverde relates viral marketing strategies to philosophy and critical theory so as to interrogate all these creative processes.

In the same way, Diana Larrea in her video performance Geofagia o la Dieta del Artista (2008) uses art antecedents to make reference to the professional situation of artists. This concern is addresed in a very different fashion in Transacción (2008) by Patricio Ponce and in If I Come Back to This Life I Want to Be an American Dentist (2011) de Manuel Molina Martagón.

In other cases, like This Leak (2011) by Félix Fernández and Juanma Carrillo, marketing strategies are embedded in the work itself, which becomes a hybrid mix of music video and art piece. Transforming (2009) by Carolina Conejero uses this same idea in its most experimental mode.

Works like Facebook (2010) by Andi Rivas, Crash! by Suso33, TypeSeries by Lucas Borras, Next by Brais García, and Compresión a Trescientas Cincuenta y un Veces El Tiempo de los Cien Mejores Videoclips Según MTV (2010) by Marcos Calvari incorporate languages related to the mass media and cultural phenomena, giving them a subversive twist.

The concepts of landscape and cityscape are explored via travel in the works by Yaco Neches and Iván Cortázar, and in relation to temporal perception by Lois Patiño and Gianfranco Foschino, while Albert Merino, José Vicente Navarro López, Alex Reynolds and Mar Caldas relate them to visual perception, and Gwenn Joyaux, Marco Casado, Mario Sarramián and Antonio Savinelli use them as a starting point for arriving at a position closer to the imaginary.

In Contrato Para Paisaje nº2 (2010) Vicente Blanco addresses the landscape in territorial terms, focusing on its evolution. Other artists who establish a historical dialogue are Txuspo Poyo, who in Delay Glass (2007) restores virtually Marcel Duchamp’s unfinished work The Great Glass, and Verónica Ruth Frías who in Give Me Your Blood, Thanks (2010) reproduces an exchange of knowledge with the mythical Mexican artist Frida Kahlo.

Also present is the concept of the boundary between two universes, moving from the sober, raw street reality shown by Nicky Enright to the abstractions of Lucía Warck-Meister, passing along the way through a number of individual positionings in works like Medialengua (2010) by Carlos Aguasaco, Porotito Granado (2010) by Jorge Catoni, Mohai (2010) by Momu & No Es, L.A.K. Love by Sergio Roger, Identity by Mireia Feliu Fabra, Afirmaciones para atraer el amor by Esther Achaerandio, The Book of the Fragile World (2007) by Laura F. Gibellini, and El Camino Más Largo (2011) by Alejandro Ramírez Ariza. All of these works show personal conflicts or marginal characters who oscillate between opposing poles, in some cases producing a humorous, absurd parody.

After the screenings, the festival will close on Saturday 26 with Shifting Gaze, a site-specific video-art-music installation by Laia Cabrera, Erica Glyn and Isabelle Duverger. 

www.regionzero.net/p/festival-program.html

King Juan Carlos I of Spain Center at NYU
53 Washington Square South
New York, NY 10012
www.nyu.edu/kjc
T (212) 998-3650
 
 

 
 


Assemblyman Robert R. Rodriguez Legislative Advisory Council Cultural Committee Report

State funding for the arts is funneled through the New York State Council on the Arts—NYSCA for short. The majority of the arts groups in East Harlem receive funding from NYSCA.

According to the Arts NYS Coalition, over the past four years, that funding has been consistently reduced—by a total of about 30%. With the additional 10% cut proposed by Governor Cuomo for fiscal 2012, the agency will have $31.6 million for grant awards, or 36% less than it did in 2008. The proposed 10% cut is the largest reduction in the budget of any state agency and goes far beyond the 2% reduction that the Cuomo administration says it proposed for most state agencies. In fact, no other state agency faces a 10% reduction in its allocation.

We understand that the state faces a huge budget shortfall, and we know we cannot expect full restoration of NYSCA funding—even to the 2011 level. But we are asking for the reduction to be 2%, not 10%.

It is easy for elected officials to single out the arts for cuts because of the short-sighted notion that the arts are a luxury. But the arts actually matter. They bring enormous economic benefits to the state, the city, and to individual communities. The only economic sector that has remained bright in New York City during the current recession is the tourist industry. The arts not only attract millions of people to New York City, but they also employ hundreds of thousands of people.

In East Harlem, the arts attract tourists, provide a stabilizing force in the community, and give the people opportunities to experience history, art, literature, dance, music, and poetry that they would otherwise not have. NYSCA funding supports these opportunities for the people of the community and beyond. NYSCA support is also important to East Harlem’s arts organizations because it can be leveraged to attract funding from other sources.

The proposed cuts in the New York State Council on the Arts Budget will have an impact on individual arts organizations in East Harlem as follows:

El Museo del Barrio
El Museo del Barrio has experienced a significant decrease in NYSCA funding in Fiscal Year 2011. Our multi-year grants have been cut back considerably and our one-time performing arts grants have been cut entirely. These cuts have forced El Museo to curtail our free summer programming from 10 to 3 performances. Also as a result of theloss, we were not able to fill two current vacant positions at this time.

The proposed Fiscal Year 2012 budget cut of 10% to NYSCA will compound the loss of foundation and corporate grants. Coupled with sharp decreases in City funds for general operating expenses, El Museo finds itself in the very difficult position of trying to offset losses in public and private funding and not having the resources to provide for earned income opportunities.

Arts institutions in East Harlem continue to do much more with far less, but we don’t know how much longer we can continue to sustain that trend.

Museum of the City of New York
The Museum of the City of New York has a unique role among New York’s cultural organizations—one of the tiny number providing historical content about New York City. That this content is sought after is attested to in our growing attendance—250,000 last year—with many visiting East Harlem for the first time. Through our schools programs, some 4,000 students from 38 elementary and middle schools in the area participated last year in activities of the Frederick A. O. Schwarz Children’s Center.

But the Museum is struggling. The perfect storm of decreases in funding from private, city, and state sources has forced us to lay off curators, educators, and programmers. We have been unable to refill those positions. And the roughly 10% annual decrease in NYSCA funding over the past few years—to say nothing of the proposed further cuts for 2012—seriously threatens our ability to serve our growing constituency and our East Harlem neighborhood. The result of these reductions will signify more layoffs throughout the institution.

PRdream.com and MediaNoche
If, indeed, it is the creative use of technology that will guarantee America’s success in the future, then arts and cultural organizations such as MediaNoche and PRdream.com, that are technology-based in their essence, and community-minded in spirit, must be supported and encouraged to flourish. PRdream.com, the pioneering, award-winning website on Puerto Rican history and culture launched 12 years ago and was one of the first, if not the first, online, bilingual informational resource on Puerto Ricans.

MediaNoche, which is a project of PRdream.com, is a new media or technology-based art gallery serving Spanish Harlem and the broader New York City public for the past 8 years. MediaNoche is unique among technology groups in being rooted in community. By creating an international exchange among new media artists, we provide a global platform for our artists and community that blurs all lines of marginality.

Our work at PRdream.com and MediaNoche is directly threatened by the current economic climate. The new round of proposed cuts to the New York State Council on the Arts seriously impacts our programming and services. While it is true that we could retreat to a virtual space on the internet, we believe that having a physical presence in Spanish Harlem serves the community directly and significantly adds to its prestige and quality of life. We urge Assemblyman Rodriguez and our other representatives to restore funding to NYSCA which early on provided support to our fledgling organization and had the vision to encourage our growth.

Taller Boricua
Taller Boricua /Puerto Rican Workshop, Inc., is an artist-run nonprofit art gallery and multidisciplinary cultural space in El Barrio. Taller Boricua’s significance in the cultural life of East Harlem is clearly reflected in its visual arts programs exhibiting and encouraging new work by emerging and under-recognized Latino and artists of color. The proposed NYSCA cuts will not only affect our artists, but our community as a whole since it will impact on the many free programs we offer to East Harlem. These cuts will have an impact on the social, cultural, and economic development in our community inwhich we serve over 37,000 visitors annually.

Puerto Rican film Classic “Maruja” at Casabe Houses – Thursday, March 17, 2pm

 

 

The Puerto Rican film classic stars the bombshell Marta Romero and what would become an all-star cast. See Cortijo and his Combo performing with Ismael Rivera. Music by Bobby Capo. 1959. Spanish, not subtitled. Thursday, March 17 at 2pm. At Casabe Houses, 150 East 121st Street, between Lexington and Third Avenues. For more information: 212.410.6030. Not to be missed!

Student strike at University of Puerto Rico rocks island and sparks political crisis

By Juan Gonzalez, Columnist
New York Daily News (February 16, 2011)

A student strike at the University of Puerto Rico has forced the resignation of its president and sparked the second political crisis in a year for the island’s rulers. José Ramón de la Torre, head of the 60,000-student system, resigned Friday after a series of violent clashes between students and riot police.

Some 200 people have been arrested and scores of students injured, prompting professors and university workers to walk out for two days last week in sympathy with the students. On Monday, conservative Gov. Luis Fortuño finally relented and pulled back the hundreds of riot police that had been occupying the system’s 11 campuses for weeks.

It was the first police occupation of the university in more than 30 years. Students began boycotting classes in early December to protest a special $800 annual fee Fortuño imposed this semester to reduce a huge government deficit. That fee – equal to more than 50% of annual tuition – stunned the university community, given that more than 60% of UPR students have family incomes of less than $20,000 a year.

Student leaders persuaded the trustees to reject similar tuition hikes Fortuño proposed last spring. They did so by conducting massive sit-ins and barricading themselves in buildings on all the campuses for two months, and by running a sophisticated Internet and media campaign that garnered much public support.

Fortuño’s pro-statehood New Progressive Party, which controls both houses of the Puerto Rico legislature, responded by packing the board of trustees with new appointees, guaranteeing him complete control this time around. Local courts cooperated by banning student protests on university grounds. Most experts expected the students would be too exhausted from last spring to challenge the governor again.
Those experts were wrong.

Inspired by the youth revolts in Tunisia and Egypt, the students refused to simply go home. They presented more than 200 pages of proposals to university officials on ways to trim budget costs without huge tuition increases. Under Puerto Rico law, the commonwealth government must spend 9.6% of its budget on the university’s operation. The Fortuño administration, which recently pushed through the biggest corporate and individual tax cuts in Puerto Rico’s history, has laid off thousands of government workers and wants even greater privatization of public services. To underscore his message, Fortuño was a featured speaker this weekend at the annual Conservative Political Action Conference in Washington.

The striking students at UPR know this is not simply a conflict with their trustees. They are up against the forces of the entire Fortuño administration. The way they see it, the future of a great public university, one that has educated generations of low-income citizens in Puerto Rico, is at stake.

Rio Piedras is Not Cairo

By Geraldo Rivera
Fox News Latino (February 24, 2011)

“Do you compare what is happening here at the University of Puerto Rico with what is happening in Cairo?” A reporter for Channel 6 the island’s public television station asked me that as I surveyed the barricaded main gate of the sprawling Rio Piedras campus on the outskirts of San Juan. Standing outside the wall of desks piled high to prevent police access to the school Wednesday, the premise of the reporter’s question was so farfetched it took my brain awhile to translate it from Spanish into English.

Cairo? Where hundreds died to overthrow a dictator? No, I don’t think there is any valid comparison between Cairo and Puerto Rico, which is like many other student uprisings against tuition and fee increases made necessary by budget deficits from England to California. In fact, the students are much more like the public employees demonstrating on the streets in Madison, Wisconsin; they’re trying to conserve privileges their government can no longer afford.

But when I did get the reporter’s comparison straight in my head, it made clearer the motivation of the kids who have boycotted classes and disrupted this 60,000 student, 11 campus system since December. They really do believe that their sometime violent protest against the imposition of a special $800 fee is part of the grand and historic youth movement shaking autocratic governments in the Middle-East.

“This is a battle for the future of Puerto Rico!” exclaimed one of the earnest student leaders of the strike, 26-year old, third year law student Xiomara Caro in an interview we did sitting in the midst of dozens of students who like Xiomara have not attended class in weeks.

Barely recovered from a destructive 62 day spring 2010 shutdown caused by yet another student strike over fees, this new disruption was another challenge to Republican governor Luis Fortuño efforts to bridge the island commonwealth’s yawning budget deficit. And like everything else in Puerto Rico, the imposition of the $800 fee is an issue stoking the island’s bitter partisan divide. The pro-statehood New Progressive (Republican) Party supports the governor. The pro-commonwealth Popular Democratic Party opposes his every move, and these supposed grownups are egging on a confrontation that has made a mockery of the university’s academic ambitions. The disgraced former PDP governor Acevedo Vila even marched in solidarity with the striking students, many of whom are pro-independence activists or socialists.

On the day I was there one group of militant students physically prevented a professor from entering his classroom. Another group turned away anti-protest students trying to go to school. No education is happening, some classrooms are trashed, desks and supplies are everywhere, scores of students and cops have been hurt, dozens of kids have been arrested, millions in U.S. taxpayer money is being squandered, and even stateside politicians are piling on this pointless exercise.

Referring to attempts by the riot police to restore order at the university, Chicago-area congressman Luis Gutiérrez, a Democrat, took to the floor of the House Wednesday to urge his fellow members to condemn what he calls the human and civil rights violations in Puerto Rico.

“What faraway land has seen student protests banned, union protestors beaten and free-speech advocates jailed? The U.S. colony of Puerto Rico!” Guitérrez said, also calling Governor Fortuño, who won election in a landslide in 2008, “a dictator.”

And this passion is supposed to be about that $800 annual fee imposed on students who pay a grand total of less than $50 per credit for quality education; far less than any other state university in the United States?

The congressman’s over-heated rhetoric struck a raw nerve with Republican supporters of the governor. The island’s Resident Commissioner in Washington Pedro Pierluisi condemned Guitérrez’ remarks, saying, “To compare Puerto Rico to an authoritarian country is beyond the pale. It demeans not merely my constituents, but also millions of men and women who suffer under real dictatorships who are truly oppressed, and lack the dignity that comes only with genuine freedom.”

As I told that reporter for Channel 6 who asked about the P.R.-Cairo comparison, I was young once, and angry at everything from the Vietnam War to the lack of black and brown university studies. And I participated in many acts of sometimes unruly civil disobedience on and off campus. The young people of the world were in revolt then and we activists felt that we too were at the center of the universe.

This long and sometimes violent protest at the University of Puerto Rico, though, seems especially counter-productive and pointless. I realize that an additional $800 school expense is a lot of money for families with $20,000 annual income, but I also remember with shudders that I had to work and borrow my way through college and law school, graduating deeply in debt.

It is time for the striking students at least to allow non-striking students and teachers to get back to class. If this year follows last year as essentially wasted academically, their university stands on the verge of becoming just another dysfunctional joke in the partisan chaos that characterizes modern-day Puerto Rico.

Geraldo Rivera is a Senior Columnist for Fox News Latino.

A blow to the diaspora

Desde Washington Blog
By José A. Delgado
El Nuevo Dia (March 4, 2011)
translated from Spanish by NiLP
From NiLP FYI

Each time you read a headline that a Puerto Rican born in the United States makes his living in Puerto Rico, there are people who are offended when that person is considered a boricua. For Congressman Luis Gutierrez, born in Chicago and of Puerto Rican parents, the recent criticisms of New Progressive Party (PNP) legislative leadership and other statehooders are nothing new. While in the neighborhoods of Chicago he was the “Puerto Rican” guy, in his high school in San Sebastian, Puerto Rico he was considered by some as the “gringo.”

But do not think that prejudice is limited to the statehooders who do not forgive Gutierrez for helping to stop status bills driven by the PNP in the U.S. Congress. When Joseph Acabá – born to Puerto Rican parents in California – was selected as the first Puerto Rican astronaut in the NASA program, I heard voices from the island that questioned whether he should be considered Puerto Rican. There are also some who have challenged the Puerto Ricanness of Sonia Sotomayor – the first Hispanic to hold a seat in the United States Supreme Court – having been born in the Bronx, New York.

The political uncertainty of Puerto Rico is also seen in debates on the cultural identity of a people whose natives are also U.S. citizens. In the latest political status bill being pushed by the PNP in the U.S. Congress, the idea of allowing the vote on the island’s future political status to those born on the island but living outside Puerto Rico has been incorporated. This plan, however, has given no role to the children of those born in Puerto Rico, although they may have spent much of their lives in Puerto Rico and have returned to the United States.

Somewhere, considered the promoters of the latest status legislation (2499), you had to draw the line. It is clear that there are Puerto Ricans in Puerto Rico who urgently need to be given a tour of major Puerto Rican communities in the United States. They know that those who claim Puerto Rican cultural identity in America, especially without being born in Puerto Rico, do not do so to make a profit. They do it because they feel it deep in their DNA and unashamedly proclaim it with pride, even though a few – there and here – insist on looking at them over their shoulders.

Row over Julia de Burgos Cultural Center in El Barrio, NYC

From the National Latino Institute for Policy

Note: There has been some controversy for some time over charges of the mismanagement of the city-owned building housing the Julia de Burgos Cultural Center in Manhattan’s East Harlem. In a highly controversial move, alleging mismanagement by Taller Boricua, New York City Councilwoman Melissa Mark-Viverto intervened to change the management of the center working through the city’s Economic Development Agency. This has caused major divisions in El Barrio’s artistic community. The latest flare-up is reported below by El Diario columnist Gerson Borrero over allegations that the Councilwoman disrespected elder community leader Yolanda Sanchez at a recent meeting (in which Ms. Sanchez was not present).

Yolanda Sanchez, 78 years old, is an institution in the Latino community who has spent over thirty years in the development and management of diverse human services. She serves as the Executive Director of the Puerto Rican Association for Community Affairs and is President of the National Latinas Caucus, past president of the East Harlem Council for Human Services and former director of the CUNY Office of Puerto Rican Program Development. Ms. Sanchez is a former National Urban Fellow and a graduate of Harvard University’s School of Business, and holds an MSW degree from Columbia University Graduate School of Social Work.

Council Member Melissa Mark-Viverito was born in San Juan, Puerto Rico and was elected to the City Council in January 2006 to serve as Council Member for the 8th Council District. She is the first Puerto Rican woman and Latina elected to represent her district. During her first term, Melissa has sponsored several local laws to address tenant harassment and promote construction safety. Prior to her election to the City Council, the Councilwoman worked for the 1199 SEIU New York’s Health Care Union, as well as several community organizations and political campaigns. Besides her professional life, Melissa has been very active in community affairs, founding Women of El Barrio-an organization that promotes the development of women as leaders in the economic, political and social life of their community.

—Angelo Falcón

Bajo Fuego
Row over Julia de Burgos Cultural Center in El Barrio
By Gerson Borrero | Bajofuego@eldiariony.com
El Diario-La Prensa (March 2, 2011)
translated from Spanish by NiLP

In a two-page letter, the Board of Directors of Casabe Houses accuses New York City Councilwoman Melissa Mark-Viverito of having insulted and threatened them during a meeting in her office in Manhattan in what was intended to be a discussion about the future of the Julia de Burgos Cultural Center.

As highlighted by the February 24 letter, signed by Frank Quiles in his capacity as president of the organization that provides housing and services to the elderly, Mark-Viverito “used the occasion to talk rudely of Yolanda Sánchez , who is a member of our Board and one of the most respected leaders of the Puerto Rican and Latino community of New York City over the past thirty years. ”

Beyond the bickering that provoked the letter, it was signed by nine other members of the Board, including Ms. Sanchez, and accused of the City Councilwomen of the 8th District of telling them, “I’ve already made the decision,” to support another group to take charge of the Cultural Center, which has been allegedly mismanaged by the current managers.

“They never approached me and did not let me know of their interest” said Mark-Viverito as she thundered against what she considered a lack of respect. According to the Councilwoman, “They came to the meeting with the intention of an ambush and trying to tarnish my reputation.”

After calming down, Mark-Viverito in a telephone conversation admitted that she did tell them, “My support has already been given to another organization.” However, she denied that she threatened them or insulted Ms. Sanchez.

“I was firm in my tone,” said Mark-Viverito, who added, “I am a human being.” She assured us that there will be a formal response to the group.

To all this we assume that once the Hispanic Federation, the theater group Pregones, Los Pleneros de la 21 and the Puerto Rican Travelling Theatre saw this aired in public, they will re-evaluate their participation in the Mark-Viverito coalition created to assume direction of the Julia de Burgos Cultural Center.

“Yolanda is 78 and Melissa, who is not even of El Barrio, disrespected her,” said one activist who asked not to be identified but who is bothered by this rumor. Be seen as making the city agency, Economic Development Corporation, who could receive a formal complaint about what was supposed to come from the mayor. All pending.

“I was firm in my tone,” said Mark-Viverito, who added, “I am a human being.” The official assured us that there will be a formal response to the group.

To all this we assume that once the Hispanic Federation, the theater group Pregones, Los Pleneros de la 21 and the Puerto Rican Travelling Theatre to see this aired in public, re-evaluate their participation in the Mark-Viverito coalition created to assume direction of Julia de Burgos. “Yolanda is 78 and Melissa, who is not even in El Barrio, disrespected,” said one activist who asked not to be identified but who is bothered by the already rumored on the street. We are waiting to see what the city agency, the Economic Development Corporation, who could receive a formal complaint about what the Councilwoman is planning. Let’s wait and see.

Letter
In Search of “flamboyant Language”
By Albert Medina
El Diario-La Prensa (4 de marzo 2011)
translated from Spanish by Albert Medina

In an article on 2 March in El Diario/La Prensa, Gerson Borrero commented on a letter received from Frank Quiles in the name of the organization over which he presided, saying that Councilwoman Melissa Mark-Viverito had commented “in showy language” against Yolanda Sanchez.”

What were those flamboyant words?

He also wrote that an activist – not named – had told him that Councilwoman Melissa Mark-Viverito -was not from El Barrio! (the neighborhood) What Puerto Rican is not from El Barrio? Even those born in the United States.

Celia Ramirez, who represents East River North Renewal HDFC, should also have been mentioned when he listed the organizations participating in the coalition supported by Councilwoman Melissa Mark-Viverito.

The values and material objects that make up a shared way of life: the intangible creations of human society; and the products which emerged out of the interactions of people – within the limitations of the then geographic boundaries that encompassed El Barrio, NY – is not something to be glossed over lightly.

Albert Medina
East River North Renewal
212-427-3130